reby, my practice acts as a space for reflecting on processes of transition and cross-generational hybridization, pushing these questions into material and chorographical investigations of personhood.

You exist due to lack, distance, and longing. You materialize as my fantasy of the missing. You tell me stories about how they came to be. You are like a child's animation of the dead object, a transformation of the supposedly "insignificant". You are a sugar sculpture dressed as a snow landscape in Maniitsoq or a 3D printed neck supporter pretending to be a conch, in which I can listen to the sounds of crow scrawling and the whistling wind. You connect me to a destination, a place, a memory; you are a linking entity. You are my 'cut, copy, paste' fantasy of selective memory. You are born out of fragments. I give you a name and a history of belonging. You are the stereotype, the cliché, the idiot, the naive, the violent, the saturation of emphasis, the blind spot, the romantic, the surface, the deep waters. You are my intimate story in the distance of.



I work in the intersection of (live) installation, sculpture, performance, and text. Utilizing influences and experiences from my chorographical background, I explore movement as definitions for closeness and distance, intimacy and remoteness, kinship and otherness. I am interested in how these movements of relating tell us something about our history of ancestral legacy and how this presence within and around us impacts our daily lives, actions, and behaviours. Thus, my work moves between far distances and intimate accounts and reflects my own personal navigation of my Danish upbringing and my (distant) Greenlandic heritage. Through scores of movements and staged displays of domestic objects, construction materials, low-fi technologies, and everyday usage products, I make the private public as a way to trace the personal and intimate in collective phenomena, addressing how inheritance are intertwined with the mediation and production of biological and cultural identities of today. Hereby, my practice acts as a space for reflecting on processes of transition and cross-generational hybridization, pushing these questions into material and chorographical investigations of personhood.

ace for reflecting on processes of transition and cross-generational hybridization, pushing these questions into material and chorographical investigations of personhood.